My work explores the relationship between Bauhausian sensibilities and football chants through the prism of amplified tropical insect feet.

With influences as diverse as Derrida and The Wiggles, new insights are synthesised from both constructed and discovered structures.

Ever since I was a postgraduate I have been fascinated by the theoretical limits of the universe. What starts out as triumph soon becomes debased into a cacophony of distress, leaving only a sense of unreality and the inevitability of a new synthesis.

As subtle derivatives become distorted through boundaried and personal practice, the viewer is left with an epitaph for the edges of our era.

see here for stuff about me that isn’t bollocks.